Thursday

On my mind today


Decadence vs. Morality

Tension vs. Relaxation

Conscience vs. Flippancy

Guilt vs. Not Giving a Shit

Accommodation vs. Expressing (or Having) Opinions

Pacifism vs. Aggression

Thought vs. Non-Thought

Sex vs. Celibacy

Love and Openness vs. Cynicism and Repulsion

Lauri vs. Reality

Dishes vs. Anarchy

Acceptability vs. Rebellion

Instinctual vs. Analyzed

People vs. Privacy

Life vs. Death

Self-Hatred vs. Acceptance of Blandness

Happiness vs. Depression

Masochism vs. Mellowness

Hypocrisy vs. Hypocrisy

Hope vs. Fatalism

(Xmas '87)

Tuesday

More Photos '87







Floor Plan (From a Dream)




Something Strange Happened on the Train


Yesterday, on the el: my thoughts were hazed with a blue-gray mist.  I had met someone who turned my concept of life a full 180 degrees.  We had spent nine hours together, doing nothing more than opening ourselves.  Trusting, but still strangers.  On the el, my head was stuck in the night before.  We did not touch, but our words touched.  I felt I wanted everything from him.  Not sure he would comply.

Thoughts took me out of my physical form.  I was an orb on a brown, vinyl seat.  A woman stood in front of me.  She stood and swayed against the movement of the train.  For a long time, I stared at her, her pale purple sweater, her red flannel pants, her green socks, and her black nurse shoes; her bags and her confused mumblings.  And then I saw, in her fisted hand, a plastic bag containing water and five goldfish - white and orange.  They swam below the hand of the crazy woman.  They shook in their water.  I gasped.

The train swerved, and then halted.  The bag dropped.  The floor came alive with water spilling outward, and fish, dying in the air.

I knelt down to the floor of the train.  The water seeped into the knees and shins of my pants.  The fish danced a nauseating, acrobatic death.  I clutched one in my hand.  It flipped its gold and white.  I kissed it once, and then held its head up to my mouth.  I parted my lips, and with one fast bite, the fish was decapitated.  I pushed the head out of my mouth with my tongue, and I started for another fish that limped along the serrated rubber flooring.  I repeated the same process I had completed with the first.  I developed a sickening taste in my mouth, of stale water and metal and what I imagined to be secretions of saliva or tiny brains.  I moved on the the third fish.

The crazy woman looked at me with terror.  Her fish were being systematically sacrificed before her eyes.  Her forehead wrinkled, and her expression became pained as she looked down at the small pile of bodies and heads that lay in front of my knees.

Other passengers turned away.  One woman, with a comically made-up face fainted onto another woman's shoulders.  I moved quickly to the fourth fish, and finally, to the fifth.

The fifth fish moved only slightly.  My kiss was real.  I brought it dearly to my lips, and then bit fiercely down over its head.  I felt its death in my hand, and in my mouth.  I pulled it out from my teeth, conjured up some saliva, and spat on the wet floor.  Ceremoniously, I took the fish heads and bodies and put them back in the plastic bag, and gave them back to the crazy woman.  Then, I walked off the train.

Last night, I dreamt I vomited millions of tiny goldfish heads.  I would repeatedly swallow and throw up the little heads, and I kept looking into their eyes.  Their eyes. . .

He has such beautiful eyes.  I am obsessed with them.  I carry myself limply through life as my mind wanders on and on.  I am senseless and irrational.  And I look so forward to our next meeting. . .

12/1/87

Monday

Nothing's Lost


Nothing's lost.
It's just retained
in memory;
sustained in time
by impressions
on the mind.

Nothing's lost
but nothing gained
for this that is now history.
It occurs to me,
despite the pain,
that it will be forgotten -
though love remains.

Forgotten, forgotten
And what the cost?
I still believe
that nothing's lost.

Images -
and so specific -
address my mind,
and in terrific tunnels of feeling,
I find
we are the same.

Yin/Yang is a famous harmony
we cannot be together
but still, we can see:
hearts hold to love dearly
like a fragrance, or a feather
and what, through our disunity
we destroy, or we weather
will be mended,
and retained.

We'll not speak together as ever
before
- perhaps we'll never speak again -
but tell me, darling, what's the cost?
I still believe there's nothing lost.

- Nov. 2, 1987, A.D.

Saturday

What's Left


I lie, face down on the floor.  The incandescent glow from the shrine merely warms the darkness in the room.  I'm not sure how long I have been here.  I turn to my side and look out the window.  The moon lingers there, in the orange-black sky, laughing.  I am only semi-conscious, now.  I turn again and look down at the floor, where my notebook lies, wide open, spotted with dampness from tears and saliva.  Words, words - incoherent from pain - rest on the blue lines.  I am more conscious, now.  I turn again.

The tape recorder - at my feet.  I rewind the tape, and then press the "play" button:

"Tuesday, September 15th, 1987. . .  I can't come to a single damned conclusion about my life. . ."

I stop the tape and get up.  I stagger toward the bathroom, running my fingers through my hair - unkempt in the usual way.  I stop in front of the mirror, try to understand that that thing in the reflection is me, but it seems so unreal, so sad, so empty.  It doesn't respond to me, staring.  I look down into the sink and I feel - I feel like I'm inside a bubble gum bubble.  The pressure increases and the walls expand, and suddenly, everything around me bursts.  The walls of the bubble collapse onto me.  I am surrounded by the sticky aftermath.  I start to tug and pull everything away from me, but I'm all caught up in it, and pretty soon, I'm flailing about wildly, like an animal in a net, and I'm beginning to suffocate -

I look up.  Her lips are moving.  Her words are vague and incoherent.  That feeling in my stomach and my throat returns, or maybe I've just now noticed it again.  I wish I could have it surgically removed.  She's babbling.  She's mad.  I turn away and leave her.

I walk back over to the shrine - that last, tangible remnant of the world we built together.  We built a cage, you see.  And we had two birds.  When I left him the first time, his bird died.  I removed the stick that had been theirs, together, and I kept it as a memorial.  I lived alone with my bird.  This time when I left him, my bird escaped, out the window.  No one left.  Just an empty cage with a light, just the shell of a home that we once shared.  And then one day, the cage was gone, too - thrown out by the man I believed I had left him for.  When I found out, I cried.  No birds, no home - there was nothing left.  My brother put together a shrine, using the light and some beads.  And as I stand and stare at the light, I think, "Well, at least there is that. . ."

I walk back over to the tape recorder and press the "play" button:

"I have been away from him for one month, now.  It's just like the last time.  The first month is okay, and then I'm ready to go back.  I'm finding it harder and harder to remember why I left him. . ."

I know why I left him, and I don't want to remember.  All I want is the love back.  ["I know it would be suicide to try to go back again, but I can't stand thinking about the alternatives, thinking about all of the never agains and no mores. . ."]

I've got to admit to myself that I used the other guy to keep my mind off of the fact that he had his mind on someone else.  I used the other guy as a safety device, so I wouldn't have to hurt so bad when or if I was cheated on.  I didn't know this until just now.  I thought it was love and passion and a new beginning.  ["I thought that I was doing the best thing by starting over, but it turns out there's really nothing there to work with.  He can't even tell me how he feels.  He loves me too much, and all I can do is hurt him.  It's making me numb.  So numb inside. . ."]

I turn off the tape recorder.  I take a deep breath and try to clear my head.  It's going to be a while before I start moving forward again.  It's all so fucked up, now.  I breathe.  Somewhere inside, I am thankful just for breath.  I find my trench coat and my keys in the corner of the couch, and I leave the apartment.

The night is warm, but breezy.  The moon is descending toward the horizon, and I am numb.

(fall '87)

Monday

Train, Swiftly


Train, swiftly
without any recognizable pattern:
eerily sacred, this lust.
not unlike
time warps or candy canes;
you mystify me.

Forgive my naivete, but
under these
coordinates, uncalculated,
kerosene-lit maps lead to journeys
immensely dangerous.
not unlike
gluing a hope to the stubborn walls of your mind.

Like 
infinity.
necessarily,
essentially,
secure in insecurity.
? do you tempt me?
? or do I provoke?

- Oct. 26, 1987

The Rush


I was standing in the subway,
waiting for the train
in the distance, the white eyes of the snake 
glared at me

"It's coming," I whispered to myself.

But it was not the train that I would catch you on.

As it neared, the volume of its rumbling increased in numbers -
earth-shaking power -
I began to feel the rush.

Then the wind came up
it nearly blew the hat off my head
I sensed the strength
and the unmerciful force
that nearly swept me away.

But this was not the train -
not yet.
I watched, and part of me was pulled along
as this train went on without me
[heartless infatuation,
you give me a feeling, but nothing more. . .]
how disappointing.

And in the past few weeks that I've been waiting, 
I've begun to wonder
why it's always the one that passes
instead of the one that stops
but there is a force that takes me down there
and a certain pleasure to the rush
and I keep thinking it will be the next time -

so I do not mind the wait.

- Oct. 26, 1987

Saturday

Love the Chaos


Part I:

Sweeping, popping, serving, talking, smoking
thinking
thinking
thinking

I burnt my hand and didn't feel it
I flirted with my boss
because I'm so excited
- talk about dogs in heat -

I've been thinking about Rickie,
and how beautiful she is under the moonlight.
The ceiling in my bedroom is falling down
in huge pieces
I love the chaos


Part II:

It's so damn familiar, isn't it?


Part III:

But tell me, is it wrong?


- Oct. 24, 1987

Tuesday

Waitress Dream


I dreamt last night that I walked up to one of those sit-and-eat counters in a restaurant, and the waitresses there began to tell me how to make the coffee, where to put my purse, etc.  All of a sudden, I had three tables who had ordered food, and I had no desire whatsoever to serve them.  So I sneaked out the back way, and walked into a classroom, and the teacher kind of glared at me, and then all the students turned around to look. 

"I want to come to class, but the waitresses over there seem to think I want to work with them, you see?  Well, I have to clear this whole thing up.  Is it okay if I come back later?"  I said.

The professor said, "Sure."

"This is math, isn't it?" I asked. 

"Yes."

"Advanced?"

"Sure.  We've got any advanced math class you'd want to take."

"Good.  Then I'll be back."

I walked out of the classroom and back into the restaurant.  I walked out of the restaurant and the dream was over.

- Oct. 13, 1987

Tuesday

A Frank Assessment of My Status as a Writer


Humility sucks.  Egoism sucks, too.  But what sucks worst is selling out to things you've really never wanted.  What sucks the most is not being able to write.  Every day, I write.  But it all sucks.  I keep telling myself I'm going to sit down and write and not stop until I get my genius back.  And all my fucking relatives, asking am I writing?  I can't stand it.  I want to write, but it's like I'm having a hard enough time thinking at all.  An integral part of my life is my confusion.  I can't remember the last time I actually completed a project.  My writing used to be my rebellion from the institution, from the family, etc.  Now, they're the ones who are looking at me, saying, "Are you writing?"  I wish they'd get off my fucking back.

I'm fighting very hard.  I'm not going to lose this.  I remember Ms. Whitney, a student teacher who I showed my poetry to, telling me that I must never let myself stop writing.  And the same thing at the writer's workshop I went to.  And then it happened.  And no matter how much I write, now, I don't feel any magic in any of it - just a kind of suffocating desolation.  It's like I've got so many things to do in my life, and I'm way behind and I can't forgive myself for blowing anything off.

I've still got everything else.  I've got the dreams, the idealism, the thoughts of death, the creativity, the soul, the faith - but I haven't got the fucking channel.  Not for the words.  It doesn't matter whether I'm a waitress or not.  It doesn't matter whether I'm with A. or not.  And maybe those things have changed things for me, but it shouldn't be like this.  I have so many things that I want to say, and I can't get any of it out.  I just want to scream and scream and scream or die until I can start over as a child.

Thousands of lives.  Thousands and thousands of souls.  And I'd like to be the one to die each time in her teens.  Childhood, over and over again. . .

(Sept. 1987)

Wednesday

Quote from "Even Cowgirls Get the Blues", by Tom Robbins


"With the destruction of the clockworks, that is, at the end of time, all rituals will be personal and idiosyncratic, serving not to unify a community/ cult in a common cause but to link each single individual with the universe in whatever manner suits him or her best.  Unity will give way to plurality in the Eternity of Joy, although, since the universe is simultaneously many and One, whatever links the individual to the universe will automatically link him or her to all others, even while it enhances his or her completely separate identity in an eternal milkshake unclabbered by time.  Thus, paradoxically, the replacement of societal with individual rituals will bring about an ultimate unity vastly more universal than the plexus of communal rites that presently divides peoples into unwieldy, agitating and competing groups."

Photos '87



Tuesday

22 Reasons Why My Hair Could Look Like This


  1. Leukemia
  2. Brain surgery
  3. It's punk
  4. It's hot
  5. Protesting Nuclear Arms
  6. Wanted to look like Annie Lennox
  7. Head lice
  8. It's the fashion in Paris
  9. A friend played a joke on me while I was sleeping
  10. Wanted to give myself a feeling of solidarity with the Nazi war camp victims
  11. I'm an actress - played my last role as a Nazi war camp victim
  12. Had that disease where you lose all your hair, and it's finally growing back
  13. Member of a cult
  14. Member of a demon-worshipping cult
  15. Lost most of it in a freak accident
  16. Lost most of it in a freak cuisinart accident
  17. Just lost it
  18. Stolen in New York
  19. Accidentally caught fire
  20. Watched too much TV
  21. Neo-Nazi skinhead
  22. I like it!

- 8/11/87

Saturday

Merciless Ignorance


Merciless ignorance
just as simple as a walk away
as simple as innocence
with a little more moral decay

You amazing creature
once revealing,
now concealing
has it been that bad all along?

how you lie with a simple response
(there's nothing I love more
than getting close enough 
for lies)

lies?  oh no. . .
maybe you just picked up my trick
I warned you -
you persisted -
hurts, doesn't it?

how could I possibly say I don't need this?

you dream sleepily
you'll be here tomorrow
and the next day
and the next
I'll be gone tomorrow
and why console 
a lonely soul?

I'll move on to paradise
congratulations to yet another bad memory

I want to hate you, hate you
did I really do this to you?
what did I make you think?

SAY IT, GODDAMMIT
your silence is a lie

deep in the night
you're mercilessly innocent. . .
ignorant. . .

- April 18, 1987, A.D.

Monday

Un'man'ned


"I put in my vote today, citizens!!
I say, 'Yes!' to castration of the man
so worthy of late
of the terrible fate
of our city's new birth control plan!

"At our Mayor's request 
I have come to attest
to the fact that this man is a worm"
("Castrate him!  Castrate him!"
they cry in protest.
The accused starts to shiver and squirm)

"Just look at him, now
with those innocent eyes, ladies -
which of you would be upset
to find him caressing your hips and your thighs?
I was stupid -
I encouraged it!

"And to think that I
thought his animal drive
was particular interest in me!
All I was was a body -
no soul and no mind -
how stupid I was not to see!

"And how exciting the danger
of doing a thing
that would break all the rules in this place
but sex is so tempting
and passion so rare"
("But who was it this week?"
the people declare)
"He loves to be wanted and petted
and loved"
("But who will be next week?"
they push and they shove
and with angry red faces
he is pinned to the wall)
"No, not yet, citizens!

"Tell me, do you recall
that I left with a kiss
and came back to the cold
of an actor -
so frightened -
because I broke the mold?

"From the very first day,
he assumed I had come
to demand of him caring
and loving and some of the very long list
of what he's unequipped 
to provide to so lost
and so wanting a soul

"I did want him more
than his life could afford
and paid dearly for all of my hopes
but even now, in the end -
all I want is a friend -
and I find that he still cannot cope

"It has bent me to anger 
and fury and hate
just to think that this man and his sex
could have made 
such an impact on me
and I've seen him tease others
with a touch like so many
reserve for their lovers.
I will not stand for more
of this worm -
I implore you!
Let us all raise our hands
and we'll have him un'man'ned!!"

And the crowd - what an uproar! -
they carried him over
to the city's best surgeon
and the patient, in horror -
with a sigh and a cough
his ambition, cut off. . .

- March 30, 1987, A.D.

Friday

Meet the New Boss


The Institution -
I'll always hate -
comes in a different form,
this time.

Little whiny people
watch you,
tell you what to do
they talk talk talk
about rules and problems -
it's always you.

Because you, you -
you know who you are
you've been through these places
and you've learned to ignore
the authority that nibbles
and bites at your reality.

You take a step back
you do what you have to
but you can't pretend
it's "for the good of the company"
then, you become a slave
to their money.

You have a life
beyond this place, and the next
you learn to get by
nothing more, nothing less. . .

- March 27, 1987, A.D.

Monday

My Natural Disaster


You touched me
and my soul was on fire
fire that burned through promises
through priorities,
through to passion itself

It was a fire of destruction,
breaking me away
from him -
burning a path back to you

And then, you became a wall of stone - 
hands raised against me -
you looked away.

You are the only one
You are the last one
You are the whole of desire
You are the soul of the fire. . .
and I come to you again
you look away

What makes a stone so hard
that was once fire?
You'll burn again, won't you,
when I touch you?
and blaze your path of destruction
back to me?

- Feb. 16, 1987, A.D.

A Wish


There was never a sweeter flower grown
than underneath your care
I wish I were a flower
that could spend my mornings there
And with a sunny look,
your eyes could wipe the tears away
From many emptier gardens
and more melancholy days. . .

- Jan. 12, 1987, A.D.

Friday

Snow


It blankets everything, doesn't it?                    What?
The snow
It makes you feel so warm
even though you're so cold
It's softer than a dove's feather
and brighter than the moon
on a clear Autumn night
So bright. . .
And silent as death during sleep,
creeping through the body
making every finger numb
to the hum of the energy of life.
Death is quiet in the snow
like a movie without sound
I scream, but my lips are frozen
Doesn't anybody hear?
I feel the snow blanket
my body and my face.
I fade away. . .

- Jan. 9, 1987, A.D.

Sketch '87


Monday

Cool Wimin


Annie Lennox
Kate Bush
Rickie Lee Jones
Patti Smith
Lorie Anderson
Cher
Ntozake Shange
Sade
Whitney Houston
Joan Armatrading
Crass
Pretenders/ Chrissie Hynde
Donna Reed
Ingrid Bergman
Meg Tilly
Yoko Ono
Anne Sexton
Sylvia Plath
Linda Ellerbee
Tina Turner
Julie McCoy 
Georgia O'Keefe
Judy Garland
Diane Keaton
Nastassia Kinski
Siouxsee (and the Banshees)
Nina Hagen
Excene Cervenka
Ursula Le Guin
Billy Holliday
Simone de Beauvoir
Emma Goldman
Sissy Spacek
Jenette Kahn
Nichelle Nichols